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Nearly everyone with ADHD answers an emphatic yes to the question: “Have you always been more sensitive than others to rejection, teasing, criticism, or your own perception that you have failed or fallen short?” This is the definition of a condition called rejection-sensitive dysphoria. When I ask ADHDers to elaborate on it, they say: “I’m always tense. I can never relax. I can’t just sit there and watch a TV program with the rest of the family. I can’t turn my brain and body off to go to sleep at night. Because I’m sensitive to my perception that other people disapprove of me, I am fearful in personal interactions.” They are describing the inner experience of being hyperactive or hyper-aroused. Remember that most kids after age 14 don’t show much overt hyperactivity, but it’s still present internally, if you ask them about it.

The emotional response to the perception of failure is catastrophic for those with the condition. The term “dysphoria” means “difficult to bear,” and most people with ADHD report that they “can hardly stand it.” They are not wimps; disapproval hurts them much more than it hurts neurotypical people.

If emotional pain is internalized, a person may experience depression and loss of self-esteem in the short term. If emotions are externalized, pain can be expressed as rage at the person or situation that wounded them.

In the long term, there are two personality outcomes. The person with ADHD becomes a people pleaser, always making sure that friends, acquaintances, and family approve of him. After years of constant vigilance, the ADHD person becomes a chameleon who has lost track of what she wants for her own life. Others find that the pain of failure is so bad that they refuse to try anything unless they are assured of a quick, easy, and complete success. Taking a chance is too big an emotional risk. Their lives remain stunted and limited.

For many years, rejection-sensitive dysphoria has been the hallmark of what has been called atypical depression. The reason that it was not called “typical” depression is that it is not depression at all but the ADHD nervous system’s instantaneous response to the trigger of rejection.

"Devastated by Disapproval" - William Dodson, M.D., ADDitude Magazine

I did both of those two personality outcomes. Magic or something, I guess. -J

(via actuallyadhd)

(Source: yarizakuras)

fuckyeahvintageillustration:

'Plume et Primevere', two decorative panel by Alphonse Mucha. Printed in 1899 by F. Champenois, Paris. 

Description: This series of decorative panels sold for 12 francs. It represents two pensive young girls, a blonde and a brunette, the one holding a primrose, the other a goose quill and some foliage. Typically Art Nouveau ornamentation predominates in the background motifs and on the jewelry. As was the case with all the decorative panels, conceived from the start as decorative works, Champenois ended up selling the art to clients to use as calendars, posters or advertising materials.

Source

truebluemeandyou:

truebluemeandyouHow to Answer the Top 35 Asked Interview Questions. Reblogging one of my most popular posts with clearer images. Go to the link for the highest resolution.

How to Answer the Top 35 Asked Interview Questions from The Undercover Recruiter here. Posted for friends looking for jobs this summer. Unfortunately you may also be asked illegal questions and these are two pretty good articles here and here.

hikergirl:

crochet-gifs:

Learn to Crochet!
Crochet Gif Tutorials: Foundation Double Crochet

You may find this easier if you are already familiar with the Foundation Single Crochet - the concept is exactly the same, just with dc’s rather than sc’s! 

The Foundation method is an alternative to the starting chain. It makes a row of chains, and a row of double crochet stitches, all in one go. 

I love visual aids for crochet stitches. 

notentirely may be interested.

yeahwriters:

wrote-miss-ibis:

totalrewrite:

Formatting your Manuscript

If you’re planning on one day turning your manuscript in to literary agents and publishing houses, you need to make sure it’s formatted correctly. In many cases, your manuscript will be skipped over if it isn’t done to industry standard, so here’s the basics that you’ll need if you don’t want to be ignored. Before I get started, please know that this is aimed specifically at fiction manuscripts. If you’re writing non-fiction or a memoir, the expectations will be different, so it would be wise to Google what you need.

The Basics

  • Make sure your font is 12 point Times New Roman, Courier New, or Arial. These are the only three fonts you are allowed to pick from.
  • Your spacing should be 1 inch on all sides of the text. This is the default on most word processors, but double check your settings just to be sure.
  • Your text should be double spaced.
  • All of your indentations must be a half inch. Do not press indent. Instead, drag over the top arrow on the ruler to have every new paragraph automatically indent.

The Title Page

  • The top left-hand corner of your title page will have all your personal information. They want to see your name, address, phone number, e-mail address, the novel’s genre, and word count.

image

  • Your novel’s title is allowed to be between 20-24 point font if you want. Bold is also an option, but not necessary.
  • The title will appear halfway down the title page.
  • “A novel by [your name]” will be about three quarters of the way down the page.

The Next Pages

  • If you have a dedication, it will be on its own page.
  • If you have some sort of verse or quote, those will also need their own pages.
  • Do not include a page for acknowledgements.

The Chapters

  • Chapter titles will be 12 point font. No bolding or italics.
  • Chapters will start from one quarter to halfway down the page.
  • An easy way to format chapter headings is to press enter five or six times
  • Make sure you always start your chapters the same way every time.
  • When you start a new chapter, make sure you use a page break to bump the new chapter onto a new page. This will keep it in place so that it will never budge, no matter how much you cut out or add to the previous chapter.

Page Numbers

  • Page numbers will start with 1 on Chapter 1 of your manuscript. Page numbers will not appear on the title page or dedication page.
  • Page 1 will be labeled in the footer of Chapter 1. It should be centered.
  • Page 2 will be in the header of the next page.
  • From page 2 onward, your headers will be labeled like this:

image

  • If you insert a section break after the title and dedication pages, it will make it easier to insert the page numbers.

For the most part, this is the most important of what you’ll need to know for formatting your manuscript. I used this video as reference, so I’m trusting everything it says is true because it was made by an author who has several novels published, and because it was uploaded this year, it should be up to date.

But just remember, whenever you go to turn in a manuscript, make sure you check the website of the agent or publisher you’re trying to contact. They might have specifications that differ with the ones stated in this video, and you should always do whatever you can to abide by what they want.

Reblogging aggressively. Some publishers will throw your manuscript into the slush pile or, worse, the trash if you don’t follow their desired format. Spec fic publishers are especially strict about manuscript formatting.

Also reblogging aggressively.

ladieslovescience:

femmerenaissance:

Vera Rubin (b. 1928)


When Vera Cooper Rubin told her high school physics teacher that she’d been accepted to Vassar, he said, “That’s great. As long as you stay away from science, it should be okay.”

Rubin graduated Phi Beta Kappa in 1948, the only astronomy major in her class at Vassar, and went on to receive her master’s from Cornell in 1950 (after being turned away by Princeton because they did not allow women in their astronomy program) and her Ph.D. from Georgetown in 1954. Now a senior researcher at the Carnegie Institute’s Department of Terrestrial Magnetism, Rubin is credited with proving the existence of “dark matter,” or nonluminous mass, and forever altering our notions of the universe. She did so by gathering irrefutable evidence to persuade the astronomical community that galaxies spin at a faster speed than Newton’s Universal Law of Gravitation allows. As a result of this finding, astronomers conceded that the universe must be filled with more material than they can see. 

Rubin made a name for herself not only as an astronomer but also as a woman pioneer; she fought through severe criticisms of her work to eventually be elected to the National Academy of Sciences (at the time, only three women astronomers were members) and to win the highest American award in science, the National Medal of Science. Her master’s thesis, presented to a 1950 meeting of the American Astronomical Society, met with severe criticism, and her doctoral thesis was essentially ignored, though her conclusions were later validated. “Fame is fleeting,” Rubin said when she was elected to the National Academy of Sciences. “My numbers mean more to me than my name. If astronomers are still using my data years from now, that’s my greatest compliment.”

 Sources:

1. http://innovators.vassar.edu/innovator.html?id=68; http://science.vassar.edu/women/

2. http://dspace.mit.edu/handle/1721.1/45424

A+ YES. Fabulous ladies getting it DONE.

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